What's the first music that made an impression on
you?
Brian
Ritchie: It was probably something from Mary
Poppins. I was really into Mary Poppins when I was a little kid. I
wanted to marry Julie Andrews. I forced my parents to buy me the soundtrack
album. But the first record I can remember buying on my own was "She's a Woman"
and "I Feel Fine," a single by the Beatles, but that was after they'd already
split up. I found it at a rummage sale. I said, "The Beatles -- I heard about
those guys. Maybe I'll check 'em out. Ten cents -- what the hell, I'll listen to
it." Then I decided I wanted to play guitar.
My parents wouldn't let me
learn a musical instrument when I was a kid because the teacher advised them
that I didn't have any musical talent whatsoever. I wanted to play trumpet. I
said, "Get me a trumpet. I want to play trumpet!" And they said, "Brian, we
can't. The teacher said you don't have any musical talent." So finally I
harassed them enough so that they bought me a guitar. I was about
13.
Why did you switch to bass?
Ritchie: I was
forced to because, as everyone knows, there are tons and tons of guitar players
and hardly any bass players. Most guitar players try to play bass, but they're
completely baffled by it. You'd think that there was no relationship between the
two instruments by the way that guitar players try to play bass. But I had a
natural talent for it, so I was stuck. Eventually I grew to like
it.
Gordon -- first musical impressions?
Gordon Gano: I'm not
sure exactly, but real early I remember hymns in church, and also my father
would listen to country & western music -- Carter Family, Johnny Cash, Hank
Williams. And my father and mother would both listen to show music musicals. I
remember getting into a few of those. I liked them; I still do. All that music
-- the hymns, country music and the show music. I think it's all
great.
When did you start playing?
Gano: I started just
playing some simple chords on guitar -- which is not much different from what I
do now -- maybe in the 6th grade, and in the 7th grade I started writing my own
songs and just kept going since then.
Victor DeLorenzo:
What was that song?
Gano: I'm not gonna tell
ya.
DeLorenzo: Wasn't it "The Oatmeal
Song"?
Gano: No, no, that's not
it.
Ritchie: He wrote a song about oatmeal
when he was a little kid. His sister told us about
it.
Gano: That's not it. It was
"Oats."
Ritchie: I'm sure you worked oatmeal
into it.
Gano:
Maybe -- you know, a little avant-garde
twist...
Ritchie: I'll sing it for you -- his
sister taught it to me -- "I love oats, I love
oats..."
Gano: I consider this an insult. He is
completely perverting the original "Oats" song.
Then you'd better set the record
straight.
Gano: All right. This is a prestigious
paper, right? I should give you the scoop? All right ... it's more of a chant.
It was like, "Oats, oats/Cows like oats/Horses like oats/People like oats....,"
and you could go on for a long time.
Ritchie: Now, if
this comes out as a bootleg, we'll know... The Gordon Gano fans are
desperate.
Gano: And I was of course at that time
heavily influenced by Jonathan Richman to play those kinds of children's
songs.
We'll get around to that one later.
Gano: Lou Reed was
my babysitter.
2. Jazz in the Woodpile
Ritchie: We listen to a lot of jazz, Victor and I. It's been a big influence on both of us and on our rhythm section sound. Victor using the brushes is pretty much strictly a jazz technique. And I'm just in-
[further fragment:]
Gano: No, actually, it was the middle schoolers -- I used to hang out with them and beat them up and extort them, you know, I had a racket going.| Meanwhile....
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copyright Robert Lloyd ©
2006 |